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“I choose for my fam­i­ly. Maybe oth­ers are capa­ble of doing it, but I can’t go on tour and be a good dad at the same time.”

Mark Hol­lis, explain­ing his deci­sion to leave music in 1998 (but only after releas­ing pos­si­bly one of the most qui­et and inti­mate records ever made.)

Mark Hol­lis — Mark Hol­lis

Dirk, the vagabond robot, Elec­tric Cir­cus, 2014. On dis­play at Robots Love Music exhi­bi­tion, Muse­um Speelk­lok, Utrecht.

The Android Clar­inetist, Cor­nelis Jacob van Oeck­e­len, Bre­da, the Nether­lands, 1838. On dis­play at Robots Love Music exhi­bi­tion, Muse­um Speelk­lok, Utrecht

Moving Image Course at HKU

This week I start­ed a new Mov­ing Image course at the HKU Brede Basiso­plei­d­ing (Uni­ver­si­ty of the Arts Utrecht). Here you can see the stu­dents cre­at­ing a Light Mod­u­la­tor. It’s so nice to see young stu­dents get­ting enthu­si­as­tic by an art excer­cise devel­oped almost 80 years ago at Moholy-Nagy’s New Bauhaus.

Final­ly, a great new album by Belgium’s best kept secret: Dez Mona — Book of Many

Dark­est Hour

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