“The headline story is that it’s not so much about the nature of digital technology as about a new mutant form of capitalism that has found a way to use tech for its purposes.” ‘The goal is to automate us’: welcome to the age of surveillance capitalism
Very interesting read. All great art is prophetic.
Michel Houellebecq Hated Europe Before You Did
This is such a simple yet powerful idea: an AR app “AR Sensor” to measure and visualize various spatial data, such as Wifi signal strength. (via hackaday.com)
I still find all this very difficult to grasp, but it’s always fascinating to see how art can help explain a scientific theory: How Space and Time Could Be a Quantum Error-Correcting Code
A must read, if you ask me: Childhood’s End, by George Dyson.
‘Most of us, most of the time, are following instructions delivered to us by computers rather than the other way around. The digital revolution has come full circle and the next revolution, an analog revolution, has begun. None dare speak its name.’
How Much of the Internet Is Fake?
Everything that once seemed definitively and unquestionably real now seems slightly fake; everything that once seemed slightly fake now has the power and presence of the real.
? This quote from What art is is a pretty good summary of Arthur Danto’s philosophy of art in general. What Art Is
Who would’ve thought that Nick Cave would lead the way to a better, more compassionate way of online communication?! I’m hooked on The Red Hand Files Nick Cave is showing us a new, gentler way to use the internet
Governments and private companies are deploying AI systems at a rapid pace, but the public lacks the tools to hold these systems accountable when they fail. AI creates an accountability gap
Human creativity is technology agnostic. Technology truly is just an extension of man. iPhone film-maker Charlotte Prodger wins 2018 Turner prize
Interesting, but somewhat sobering read.. The bad news on human nature, in 10 findings from psychology
Good series on machine learning by MIT Technology Review: Inside the world of AI that forges beautiful art and terrifying deepfakes
This artist is calling on scientists and artists to work together to engage people emotionally in the planet’s plight—to find new ways to use stories in conjunction with science. Scientists and Artists Must Work Together – Scientific American Blog Network
? To live and die in L.A. (1985). Basically an updated version of The French connection. Reminded me of Miami Vice. With a young and convincing Willem Dafoe and also John Turturro. And not to forget Robby Müller on camera.
? Sorcerer (1977). Another great movie from William Friedkin. In all his movies there seem to be only losers and no winners. No matter what genre, his main characters always are in absolute despair. Great soundtrack by Tangerine Dream as well.
Today is Universal Children’s Day. A nice occasion for the Dutch parliament to start the hopefully new tradition of Question Time for children!
? The French Connection (1971) This must have been the best crime thriller I’ve ever seen. The dense editing gives the whole film a nervous pace, and the haunting soundtrack keeps you shivering throughout. Definitely made me curious about other films directed by William Friedkin
“They run through my garden with their whole families. We’re sitting drinking tea in the sunshine, then we look up and there’s a Chinese family trampling through my flowers.”
‘Not Disneyland’: Dutch hit back at ‘over-tourism’ – BBC News
? Another good one from the seventies, with a young Nick Nolte. Plot line a bit disappointing, but great cinematography. Who’ll Stop the Rain (1978)
? Enjoyed watching some great films from the seventies lately. Night Moves (1975) certainly was one of them. Directed by Arthur Penn, and with a great Gene Hackman.
Essence of the Indian soap opera. pic.twitter.com
— Mr. Drinks On Me (@Mr_DrinksOnMe) June 11, 2018
Location: PodiumWerkPlaats ( Burchtpoort 5 3452 MD Vleuten)
I created a video teaser for my upcoming project ‘De Meeuwen van Tinbergen’, about the life and work of Nobel Prize laureate Niko Tinbergen (1907–1988).
‘De Meeuwen van Tinbergen’ will be an interdisciplinary project in cooperation with Cowboy bij Nacht, Staatsbosbeheer, Museum Boerhaave Leiden, Institute of Biology (Leiden University) and Oerol Festival Terschelling. More information can be found on the project blog demeeuwenvantinbergen.wordpress.com
I will exhibit a small kiosk with a portfolio of my work in front of my atelier
Address:
Vlampijpstraat 50
3534 AR Utrecht
Once every hour, on the city hall square, Cowboy by Nacht will present a ‘concert for seagulls’, presented through an 8‑channel surround sound installation, placed around the square. In between these short interventions (inspired by Hitchcock’s “The Birds”), we will invite the audience to take part in a little video-interview, while they get a special treatment by a make-up artist.
More on this project (which is scheduled for summer 2011) in future posts, for now, check the project-blog (in dutch), or the back of the flyer below.
[Update] Stereo bounce from the original 8 track composition:
Étude (for Seagulls) by arnoldhoogerwerf
I also was invited by Dutch television channel AVRO, to review two small projects at the festival. The results can be seen below:
I got nominated for the BNG WorkSpace Project Prize 2010, organized by Filmhuis Den Haag / ZAAL5, with a project proposal for an interactive light installation named ‘A Close Encounter of The First Kind’ (for which i’m still seeking funding).
WORKSPACE is the annual project competition through which ZAAL5 seeks out talented filmmakers and artists working with film, new (interactive) media, video installations, performance and visuals. ZAAL5 is the in-house project space for media arts at Filmhuis Den Haag. This multifunctional room is dedicated to programmes and projects using moving images that are not displayed in regular film halls.
I was one of the 5 selected artists (out of 45 applicants) that had to pitch his or her project proposal on the 25th of april 2010, in front of a professional jury, to win one of the two available prizes of € 9000,- for the realization and presentation of the project.
This week I am attending the fourth and last week of the Cimatics Masterclass Live A/V 2007/2008 in Brussels. Cimatics is a Brussels based international platform for Live A/V. This Masterclass consists of a series of 4 workshops with lectures from different internationally renowned media artists / theorists (amongst others Marc Amerika, Lab[au], Yves de Mey, Jerry Galle, Brendan Byrne & Ana Carvalho, Boris Debackere). The practical part is all about collaboration: 10 selected artists, working in different fields of media-art (and with backgrounds ranging from choreography to architecture) form groups and collaborate with each other, with the aim of creating an audiovisual performance project.
From february 15th – february 19th 2008, i will present a new video from my ‘Time Sketch’ series at exhibition Narratives in Space // Spatial Narrations in Ghent (BE). This installation exhibition is organised by Ghent based foundation Existentie, a platform that brings together artists, arts critics and curators.
On october 2nd 2007, a modified version of the motion tracking system i originally developed for my Lightroom project, will be used in an interactive sound-installation of Werner Urban at the Kinderboekenbal 2007 at Muziekgebouw aan ‘t IJ in Amsterdam. For those interested i will share here a little bit of the technical backgrounds of this system.
From april 1–17 2007, Scenes From My Backyard will be exhibited once more at the videowall of the Stadschouwburg in Utrecht.
Lucasbolwerk 24, Utrecht
From 20.30 hrs. until late.
